The Paris Biennale in Berlin 2027
The Paris Biennale in Berlin 2027, which will take place from 19 to 26 September 2027, will constitute the project’s public moment of intensification. Following a phase of research, institutional meetings, discussions with members of Berlin’s art scene and progressive structuring, this […]
Closing of CoSAA’s First Artist Residency in Sicily
[metaslider id="1168"] On September 12, 2026, CoSAA will host an evening at La Masseria Porzel, near Modica, marking the conclusion of its first artist residency. Artists in residence Julie Heyde and Jérémie Pujau will present the outcomes of their research and reflect […]
Residency at Masseria Porzel
From 1 to 22 August 2026, the Donbat Institute will undertake a new residency at Masseria Porzel in Modica, Sicily. This residency will provide an opportunity to continue the research undertaken around Donbat, its approach to intervention and the development of the […]
Towards a Shared Working Framework for the Paris Biennale in Berlin
On the occasion of Alexandre Gurita’s second visit to Berlin, preparations for the Paris Biennale in Berlin 2027 are entering a new phase of dialogue and structuring. This series of meetings with IFSE, the Berlin Biennale, the Gropius Bau, UdK, ZK/U and […]
ENDA Residency at Masseria Porzel
[metaslider id="795"]From 27 to 30 May 2026, the Donbat Institute took part in the residency organised by ENDA, the École Nationale d’Art de Paris, at Masseria Porzel in Modica, Sicily. The residency brought together several invisual artists and practitioners for a programme […]
The Paris Biennale in Berlin 2027 — Initial Institutional Meetings
As part of the preparations for the Paris Biennale in Berlin 2027, the Biennale de Paris, represented by Alexandre Gurita, and the Donbat Institute, represented by Jérémie Pujau, are beginning a series of meetings with several institutions, spaces and members of Berlin’s […]
A Book About Donbat
The Donbat Institute announces that work is underway on a book devoted to Donbat. This project responds to a dual necessity: to revisit the conditions from which Donbat emerged, situating its appearance within a biographical, artistic, theoretical and political continuity, while also […]